Thursday, May 10, 2012

Start with 5

When I was in college, I would come home most weekends.  One of the best parts about these days at home was playing with my little brother and sister who were six and three at the time.  As children do, they loved music and one of our favorite games to play happened at the piano.  I would play about a minute of a classical tune and whoever could remember first would shout out the name of the piece "Symphony No. 40!".  I would say, "Who is it by?" and one of them would call out "Mozart!".  "And what is his whole name?", I would ask.  Often before I could finish the question, I would hear, "Wolfgang Amadeus Mozart!".

You may not be able to play piano, but you can use recordings you own, recordings from the library or YouTube to play the same game with your children.  I suggest starting with five very different pieces and building up from there.  Depending on the attention span of your child, you can play all five pieces in one setting, or you can add one a day.  I suggest having one formal listening a day, where they sit with you and you listen together, talking about the name of the piece and the name of the composer.  You can add information about where the composer is from.  Get out the globe and show them where the country is and how far away it is from your house.  Let them play with quiet toys while they listen since our philosophy is "Listen, Learn, Enjoy", with the enjoyment part of that being paramount.  When your formal listening is over, incorporate the five pieces you selected to study into your daily listening.  Even if it doesn't seem like your children are listening, hearing the pieces in the background will help them effortlessly and unconsciously memorize the melodies.  Over time, your children will develop a listening-based understanding of classical music and a knowledge of some of the greatest works of all time.  Whether they become musicians or not, this, like a basic understanding of the great works of literature and art, will help them grow to be interesting, well-rounded adults.

And now for the repertoire.  I will post five examples a week, but don't feel obligated to go with my schedule.  Remember, the important thing is a lasting knowledge of these pieces, so knowing fewer pieces, but knowing them for life, is more important than following my schedule.

Wolfgang Amadeus Mozart, Symphony No. 40, Molto Allegro

Facts to talk about:

Mozart was born into a musical family in Salzburg, Austria.
(I will write more later, but this will be enough for now)

Symphony is just the name of a piece written for an orchestra.  Symphony No. 40 means this is the 40th symphony he wrote.  He wrote his first symphony at age 8.
(Again, the study of the orchestra can definitely be expanded upon.)

Molto Allegro are Italian words.  Literally "molto" means much and "allegro" means fast.  So molto allegro means "much fast" or "very fast".

Only the string family plays at the beginning and around 0:15 the wind instruments begin to join.

Johnann Sebastian Bach, Cello Suite No. 1, Prelude

Bach was also from a long line of musicians and carried on the tradition through his children, some of which grew up to be musicians and composers.  Bach had 20 children; 10 lived to adulthood.

Bach was from Germany and was hired both by churches and by noblemen to provide music for their courts.

A suite is a large piece of music with lots of little pieces inside of it.  The prelude is the first piece in every Bach Cello Suite, of which there are six.  The other movements in the suites are for specific types of dancing, but the prelude can be considered the call to dance.

Gioachino Rossini, Overture "William Tell"
(Skip to 2:45 for the entrance of the familiar section)

Rossini was an opera composer from Italy.  This is an overture to the opera he wrote titled "William Tell".  An overture is a piece that the orchestra plays at the very beginning of the opera before the curtain opens and the acting and singing begins.

William Tell was a sort of Robin Hood-hero figure in Switzerland.  Read the legend to your children here: http://www.jamboree.freedom-in-education.co.uk/real_history/william_tell.htm

Watch the Mickey Mouse version of the opera here:


Pytor Ilyich Tchaikovsky, Swan Lake Theme

Tchaikovsky is a Russian composer who is famous for writing music for ballets including Swan Lake and Nutcracker.

Find on YouTube or borrow a video of a ballet production of Swan Lake so your children can see the dancing while listening to the music.

There are several children's picture books that tell the bittersweet story of Swan Lake.

Antonio Vivaldi, The Four Seasons, "Spring"

Vivaldi was a priest turned composer because of health issues (probably athsma) that prevented him from fulfilling his priestly duties.  He was called "The Red Priest" because of his red hair.  He lived in Venice, Italy and ran an orphanage for girls.  He taught them to play orchestral instruments and they gave excellent performances.  Much of his music was written for the girls in this school.

There are three movements (smaller sections of music within the piece) to Spring.  Focus on the first movement, Allegro.  Talk to your children about what things remind them of spring and see if they can hear versions of those sounds.  (Think birds, breezes, thunderstorms, etc.)

Vivaldi based this music off of this sonnet: 

Springtime is upon us.
The birds celebrate her return with festive song,
and murmuring streams are softly caressed by the breezes.
Thunderstorms, those heralds of Spring, roar, casting their dark mantle over heaven,
Then they die away to silence, and the birds take up their charming songs once more.

Monday, May 7, 2012

Listen, Enjoy, Learn...In That Order

It's almost instinctual for parents and caregivers to read books to children.  From birth to beginning reading, children listen to hundreds and thousands of books being read to them.  Favorites are read over and over until the covers fall off and a new favorite is found.  Nursery rhymes and fairytales treasured for centuries are read, as are stories newly penned.  Silly books, books about other cultures, books about nature, family, nighttime, holidays, food and emotions are all explored.  We know that children need to be read to before they want to learn to read themselves.  And we know that the desire children have to learn to read is largely based on the enjoyment of being read to.  The same concepts apply to listening, enjoying and learning about music.  

Sometimes we forget that the process of preparing children to play an instrument (listen, enjoy, and learn) is the same as the process of preparing children to learn to read (listen, enjoy and learn) and can easily be taught by you, the parent.  You should feel just as confident selecting music for your child to listen to as you do when you walk into the book store or library and find books to read to your child.  

When you read to your child, you adjust the material to their level, and when you listen to music with your child, you can do the same thing.  When you read a book, you point out both the new elements ("Look at the tiger in this picture!  Have you ever touched a tiger?  No, not yet!") and those that you've experienced before. ("Look at the slide in this picture!  You go "Woosh!" down the slide at the park.")  When you listen to music, you can do the same thing.  

Maybe you can't tell your child why Beethoven is a great composer, but you can listen to his symphonies and point out happy, sad, or scary sounds, loud sounds and soft sounds.  You can probably even point out some different instruments at times, or at least point out the different sounds of the instrument "families".  You can probably tell when it's just the string family playing, and where the brass or percussion instruments enter.  

When it comes to teaching music, this blog will give you confidence to teach the things you do know (it's probably more than you think!) and give you step-by-step methods for learning and teaching the new stuff  to your children.  This shouldn't be a replacement for formal lessons on learning to play instruments, but it should inspire you to teach music to your kids the same way you teach reading- by experiencing it, enjoying it, and trying all different kinds as a part of your everyday life.
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